would that he were still living - translation to ολλανδικά
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would that he were still living - translation to ολλανδικά

GRAMMAR EXPRESSING HYPOTHETICALS
Subjunctive in English; I were; It were; He were; She were; I be

would that he were still living      
als hij nog in leven zou zijn
still life         
  • ''[[Mound of Butter]]'' by [[Antoine Vollon]], 1875–85
  • [[Francisco de Zurbarán]], ''[[Bodegón]]'' or ''Still Life with Pottery Jars'' (1636), [[Museo del Prado]], [[Madrid]]
  • Fruitbasket]]'' (1595–96), oil on canvas, 31 × 47 cm
  • [[Pieter Claesz]] (1597–1660), ''Still life with Musical Instruments'' (1623)
  • LCCN]] 83-51331</ref>
  • computer generated]] still life, 2006 (by [[Gilles Tran]])
  • [[Hans Memling]] (1430–1494), ''Vase of Flowers'' (1480), Museo Thyssen-Bornemisza, [[Madrid]]. According to some scholars the ''Vase of Flowers'' is filled with religious symbolism.<ref>[http://arthistory.about.com/library/weekly/sp/bl_memling_rev.htm ''Memlings Portraits'' exhibition review, Frick Collection, NYC]. Retrieved March 15, 2010.</ref>
  • [[Jacopo da Empoli]] (Jacopo Chimenti), ''Still life'' (c. 1625)
  • [[Jean Metzinger]], ''[[Fruit and a Jug on a Table]]'' (1916), oil and sand on canvas, 115.9 x 81&nbsp;cm, [[Museum of Fine Arts, Boston]]
  • Jesus in the house of Martha and Mary]]'' in the background (1566), 171 × 250&nbsp;cm (67.3 × 98.4 in).
  • Santarém]], Municipal Library
  • [[Juan Sánchez Cotán]], ''Still Life with Game Fowl, Vegetables and Fruits'' (1602), [[Museo del Prado]] [[Madrid]]
  • [[Willem Kalf]] (1619–1693), oil on canvas, [[The J. Paul Getty Museum]]
  • Luis Meléndez]] (1716–1780), ''Still Life with Apples, Grapes, Melons, Bread, Jug and Bottle''
  • [[Henri Matisse]], ''[[Still Life with Geraniums]]'' (1910), [[Pinakothek der Moderne]], [[Munich, Germany]]
  • Roman]] wall painting in [[Pompeii]] (around 70 AD), [[Naples National Archaeological Museum]], [[Naples]], [[Italy]]
  • Vatican]] museum
  • Sunflowers'' or ''Vase with Fifteen Sunflowers]]'' (1888), [[National Gallery (London)]]
ART GENRE MOSTLY SHOWING INANIMATE OBJECTS
Still-life; Still lifes; Still-Life Painting; Still-lifes; Stilllife; Stilleben; Still Life Painting; Nature morte; Still-life painting; Naturaleza Muerta; Still-Life; Naturaleza muerta; Still Life
stilleven (levenloze substanties die als schildermodel dienen)
nature morte         
  • ''[[Mound of Butter]]'' by [[Antoine Vollon]], 1875–85
  • [[Francisco de Zurbarán]], ''[[Bodegón]]'' or ''Still Life with Pottery Jars'' (1636), [[Museo del Prado]], [[Madrid]]
  • Fruitbasket]]'' (1595–96), oil on canvas, 31 × 47&nbsp;cm
  • [[Pieter Claesz]] (1597–1660), ''Still life with Musical Instruments'' (1623)
  • LCCN]] 83-51331</ref>
  • computer generated]] still life, 2006 (by [[Gilles Tran]])
  • [[Hans Memling]] (1430–1494), ''Vase of Flowers'' (1480), Museo Thyssen-Bornemisza, [[Madrid]]. According to some scholars the ''Vase of Flowers'' is filled with religious symbolism.<ref>[http://arthistory.about.com/library/weekly/sp/bl_memling_rev.htm ''Memlings Portraits'' exhibition review, Frick Collection, NYC]. Retrieved March 15, 2010.</ref>
  • [[Jacopo da Empoli]] (Jacopo Chimenti), ''Still life'' (c. 1625)
  • [[Jean Metzinger]], ''[[Fruit and a Jug on a Table]]'' (1916), oil and sand on canvas, 115.9 x 81&nbsp;cm, [[Museum of Fine Arts, Boston]]
  • Jesus in the house of Martha and Mary]]'' in the background (1566), 171 × 250&nbsp;cm (67.3 × 98.4 in).
  • Santarém]], Municipal Library
  • [[Juan Sánchez Cotán]], ''Still Life with Game Fowl, Vegetables and Fruits'' (1602), [[Museo del Prado]] [[Madrid]]
  • [[Willem Kalf]] (1619–1693), oil on canvas, [[The J. Paul Getty Museum]]
  • Luis Meléndez]] (1716–1780), ''Still Life with Apples, Grapes, Melons, Bread, Jug and Bottle''
  • [[Henri Matisse]], ''[[Still Life with Geraniums]]'' (1910), [[Pinakothek der Moderne]], [[Munich, Germany]]
  • Roman]] wall painting in [[Pompeii]] (around 70 AD), [[Naples National Archaeological Museum]], [[Naples]], [[Italy]]
  • Vatican]] museum
  • Sunflowers'' or ''Vase with Fifteen Sunflowers]]'' (1888), [[National Gallery (London)]]
ART GENRE MOSTLY SHOWING INANIMATE OBJECTS
Still-life; Still lifes; Still-Life Painting; Still-lifes; Stilllife; Stilleben; Still Life Painting; Nature morte; Still-life painting; Naturaleza Muerta; Still-Life; Naturaleza muerta; Still Life
levenloze natuur (voorwerpen die als model voor schilders dienen)

Ορισμός

he
¦ pronoun [third person singular]
1. used to refer to a man, boy, or male animal previously mentioned or easily identified.
2. used to refer to a person or animal of unspecified sex (in modern use, now largely replaced by 'he or she' or 'they').
3. any person (in modern use, now largely replaced by 'anyone' or 'the person').
¦ noun a male; a man.
Origin
OE he, he, of Gmc origin.
Usage
Until quite recently he was used to refer to a person of unspecified sex, as in every child needs to know that he is loved. However, this use is now regarded as old-fashioned or sexist. One alternative, which is gaining acceptance in both speech and writing, is to use they instead of he (everyone needs to feel that they matter), especially where it occurs after an indefinite pronoun such as everyone or someone. Another alternative is he or she, though this can become long-winded when used frequently.

Βικιπαίδεια

English subjunctive

While the English language lacks distinct inflections for mood, an English subjunctive is recognized in most grammars. Definition and scope of the concept vary widely across the literature, but it is generally associated with the description of something other than apparent reality. Traditionally, the term is applied loosely to cases in which one might expect a subjunctive form in related languages, especially Old English and Latin. This includes conditional clauses, wishes, and reported speech. Modern descriptive grammars limit the term to cases in which some grammatical marking can be observed, nevertheless coming to varying definitions.

In particular, The Cambridge Grammar of the English Language narrows the definition further so that the usage of were, as in "I wish she were here", traditionally known as the "past subjunctive", is instead called irrealis. According to this narrow definition, the subjunctive is a grammatical construction recognizable by its use of the bare form of a verb in a finite clause that describes a non-actual scenario. For instance, "It's essential that he be here" uses the subjunctive mood while "It's essential that he is here" does not.